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Marc, Louis and Gaétan work as doormen in a fictional nightclub called The Manhattan. The new owner wants to give the bar an upscale makeover and the three friends are stuck having to deal with this hip new work environment, with riveting consequences.
David, a professor of dermatology, has been treating 13-year-old Romain since he was a baby. Afflicted with a rare skin condition, Romain must avoid sunlight and is condemned to live in the shade. David and Romain have become the closest of friends and nothing can separate them. But then David learns that he is about to be transferred to another clinic in another town. How will he be able to break the news to Romain? And how will Romain cope with this new crisis in his life?
Around midnight, a young couple and their transvestite maid prepare for an orgy. Their guests will be The Slut, The Star, The Stud and The Teen.
A burglar, Bob Duchemin, is charged with murder following a mysterious settling of accounts. Suspicion also falls on the manager of a cabaret on the Champs-Elysées, as well as the owner of the establishment, Enrico. But Bob is also found guilty and sentenced to twenty years' hard labor. Soon abandoned by his fiancée, Lili, Bob learns that she has become Enrico's mistress, one of the attractions at the Tipico. The young singer's affair quickly makes her an international star. For his part, Bob escapes and seeks revenge. He meets a young pure freak who dissuades him from carrying out his murder plans. Bob kills Enrico anyway, but in self-defense. Afterwards, having been found innocent, he will be able to "remake his life" with the pure young girl.
When she lands up in the middle of nowhere, Séréna, a rather thoughtless young woman, is supposed to marry Hubert, a country squire she came into contact with through the classifieds in "Le Chasseur Français", a magazine for hunters. But she gets to know Roland, a bachelor farmer who develops an instant burning passion for her. Prepared to do anything for her, he goes as far as to holdup banks to secure the good life she longs for. Although she confesses (wrongly) that she suffers from AIDS, he is in no way discouraged. Séréna accepts to marry Roland but on her wedding night she balks at taking the "midnight exam". She runs away and meets Antoine, a married writer, who hides her in the attic of his house, without his wife knowing it.
After leaving Morocco amidst racial tensions spurred by the Yom Kippur war, the son of a once famous Jewish musician travels to his home country to bury his father. As he meets the members of the band, his life unexpectedly transforms.
A fancy dress ball takes place in a strange palace. The host is unknown. The theme: "your idea of human representation”. During the course of this mysterious and rather frightening evening, each guest is transformed into his own character and the intrigue thickens.
An elderly woman sees life go by through window of her loneliness: the busy streets, the cityscape of multi-storey buildings, the windows in the dark. Gaze and perception take turns inside and outside the barriers of architecture and of mind.
The division of objects into small point of mobile clarity gives them a paradoxical existence, which dissolves constantly at the same time as it maintains itself. These objects then radiate their own light.
This drama's main asset is Charles Boyer as Pierre, a father out looking for his son one night. Pierre receives a call from a woman who says she will kill herself because of his son. Naturally disturbed at this news, Pierre takes off to find his son and avert disaster. Along the way, he picks up a malcontent, wealthy young woman who decides to stick with him and help him look for his son. After traveling through some of the worst aspects of Paris' demi-monde, Pierre begins to wonder if his son will ever be found. Meanwhile, the relationship with his newfound wealthy friend is heating up.
Having recently moved into her new apartment, Irène Cazenave, the widow of a well-known police officer, is forced by one of her husband's colleagues to take part in an investigation. The building's provocative concierge has been found murdered. We watch a parade of suspects, only to learn at the end that Irène killed the janitor under blackmail. She kills herself.
A woman becomes distressed by the resemblance between the plot of a film and the reality of her own life. But what is reality: life or film?
A Paris night club proprietor falls from grace and is reduced, after going away for a while, to working there in a menial position.
Between eleven o’clock and midnight one evening, a notorious trafficker Jérôme Vidauban is shot whilst walking in a tunnel in Paris. The case is assigned to Inspector Carrel, who is Vidauban’s perfect double. Using his resemblance to the arch criminal, Carrel manages to infiltrate in Vidauban’s circle of acquaintances and contacts. He becomes embroiled in a bizarre web of intrigue and discovers no shortage of possible murder suspects, all of whom appear to be surprised to see him still alive.
Filmmaker Jean Achache shot extensively on the set of ’Round Midnight. This documentary presents that material for the first time, including footage of director Bertrand Tavernier, production designer Alexandre Trauner, and other members of the cast and crew.
In 1912, the Alsatian Albert Schweitzer, missionary doctor and musician, goes to Gabon, a French colony, to fight malaria, which is ravaging the population. Administrator Leblanc takes a dim view of his arrival. But Albert can count on the devoted Marie Winter and Father Charles to assist him in his task.
Audrey and Simon do not love each other. Well, maybe. She invites herself to his house one weekend evening. She is a student, he his teacher. Is their story already written?